- Soundcloud monstercat dumb and bass how to#
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Lots of video game soundtracks as well – I recently dived into the Minecraft world again. He put out a tune late last year called ‘Chemz’ and I’ve had that on repeat for ages. What else are you listening to at the moment that’s inspiring you? I’ve always wanted to release a body of work along those lines so I’m finally going to do that. I listen to all sorts of music like Jamie XX, Phaeleh and those kinds of artists. I’m really trying to branch out and tap into my influences a bit more. It’s not any one genre but it’s melodic, bassy, and I’m putting together an EP of that style for a label later in the year.
Soundcloud monstercat dumb and bass how to#
I’ve been working on a lot of chill, lower tempo music… I don’t know how to describe it. Like the jazz section in Hard Times, or the trap section in Slither!Īre there any areas of music that you want to explore that you haven’t yet? For example, I would sneak in other genres by doing these little switch-up sections or just taking influences from all over the place and trying to make a fusion.
This limitation would sometimes force me to be extra creative with my song writing. I’ve always wanted to release all sorts of genres, but I had to cement my place as a drum and bass artist first. What is it that draws you towards doing so? The track is also part of an effort to diversify my catalogue – I’ve never done a house tune before so I wanted to introduce people to that side of my sound with this tune!
Soundcloud monstercat dumb and bass full#
It came together pretty seamlessly to have a house part in the middle – and we have recently dropped the full house edit as well. It was a bit of a love letter to the shows I’m missing, and I found it translated well into a drum and bass tempo. It was initially a house idea, inspired by the anthems of acts like Faithless and Darude. It started out as just the chord progression – the ravey stabs that you hear throughout the tune. I’ve been a fan of both labels for a long time, so it’s been really cool to get involved in this way! Their audience is really receptive to this sort of music and I’m glad I had a tune that they felt was suitable for it.Ĭan you tell us a bit more about the idea behind it? Thanks, I think the feedback has been really positive! This is my first solo release with Pilot/UKF. You just released That Feeling on Pilot, which is a wicked tune.
Soundcloud monstercat dumb and bass free#
I think that’s happened to a lot of artists across drum and bass! For me, it’s allowed me to be a lot more free with what I do. Since shows stopped, I’ve been able to just make whatever sounds good and whatever is fun to listen to at home. When I was doing shows more, I felt pressure to tailor my music towards what would get a crowd reaction and what would stand up best in a club environment. How has the pandemic affected your music over the last year? Hey! Lockdowns are still going strong, but I’ve been hiding away and making the most of it in the studio. We decided to catch up with him to delve more into the reasoning behind this as we move further into 2021, as well as chatting about his latest single That Feeling, released on Pilot. In 2020 we saw Bensley back in home territory with a string of singles on Canadian label Monstercat, which, as he explains to us, was a first step in bringing his sound back to a North American audience. Tunes like To the Moon and Hard Times (featuring Emer Dineen) allowed him to delve deep into a myriad of inspirations from his classical upbringing, while moving away from a more pigeonholed approach and carving his own unique space. We say drum and bass, but his attempts at cross-genre explorations have been at the forefront of what he does since his debut. Six years down the line and two albums later, we are continuing to see the still-young producer spread his wings, while pushing for the North American drum and bass scene to unite, flourish and dissolve boundaries. As a debut release, this was an entrance into the drum and bass scene that is rarely seen and a testament to his wholly unique vision of the genre. In 2015, Canadian producer Bensley released Fandango on RAM Records, acting as the first single of his aptly named debut album Next Generation.
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